I've uploaded a new gallery: Where No Man Has Gone Before.
I decided to start a black and white gallery. I wonder how much higher quality pictures this camera could have been capable of, if it was B&W only?
Only a pinhole-lens, wide-angle L'Espion could possibly take in the wonder and grandeur that is the Colossal Colon. This is just about the only shot I took at the State Fair that came out both (a) interesting and (b) clear. What a bummer. Other great shots that didn't come out: the 60-something guy singing karaoke onstage alone at the Empire Theater, and the rooster that looked like Patti LaBelle. I'm going to try and get the House of Hazards next time I go. 
One of the nice things about this camera also is that -- unlike most dual-platform gadgets -- it has a far better interface with the Mac than with the PC. In fact I suspect that when this camera is marketed on this side of the Atlantic, the notoriously clunky PC interface is the first thing that will go. (And hopefully also, the beep will go. If they ever sell a beepless L'Espion, I'm there.) For PC users who haven't had the pleasure, the Mac version of the L'Espion software automatically starts up the second you plug the USB cable into the camera, asks you what you want to name your batch of pictures, and then the whole operation takes less than 30 seconds. The Mac also automatically converts continuous-mode shots into Quicktime movies and apparently you need an extra step for that with the PC. 
